Wednesday, October 27, 2010

Worldwide Anti-Whaling Day - November 5, 2010

From the Worldwide Anti-Whaling Day website, a call to all concerned citizens:

About whaling:
Whaling is the hunting of whales mainly for meat and oil.  Its earliest forms date from at least 3,000 BC.  Various coastal communities have long histories of sustenance from whaling and harvesting beached whales.  Industrial whaling emerged with organized fleets in the 17th century; competitive national whaling industries in the 18th and 19th centuries; and the introduction of factory ships along with the concept of whale harvesting in the first half of the 20th century.

As technology increased and demand for the seemingly vast resources remained high, catches far exceeded the carrying capacity of whale stocks. In the late 1930s, more than 50,000 whales were killed annually, and by the middle of the century whale stocks were not being replenished.  In 1986 the International Whaling Commission (IWC) banned commercial whaling so that stocks might recover.

While the moratorium has been successful in averting the extinction of whale species due to overhunting, contemporary whaling is subject to intense debate.  Pro-whaling countries wish to lift the ban on stocks they believe have recovered sufficiently to sustain limited hunting.  Anti-whaling countries and environmental groups contend that those stocks remain vulnerable and that whaling is immoral and should remain banned.

When the commercial whaling moratorium was introduced by the IWC in 1982, Japan lodged an official objection. However, in response to U.S. threats to cut Japan's fishing quota in U.S. territorial waters under the terms of the Packwood-Magnuson Amendment, Japan withdrew its objection in 1987.  According to the BBC, America went back on this promise, effectively destroying the deal. Since Japan could not resume commercial whaling, it began whaling on a scientific-research basis. Groups dispute the Japanese claim of research "as a disguise for commercial whaling."

The stated purpose of the research program is to establish the size and dynamics of whale populations.  The Japanese government wishes to resume whaling in a sustainable manner under the oversight of the IWC, both for whale products, (meat, etc.), and to help preserve fishing resources by culling whales.  Anti-whaling organizations claim that the research program is a front for commercial whaling, that the sample size is needlessly large and that equivalent information can be obtained by non-lethal means, for example by studying samples of whale tissue (such as skin).  The Japanese government sponsored Institute of Cetacean Research (ICR), which conducts the research, disagrees, stating that the information obtainable from tissue samples is insufficient and that the sample size is necessary in order to be representative.

Around 950 long-finned pilot whales are caught annually in the Danish controlled Faroe Islands, mainly during the summer.  Occasionally, other species are hunted as well, such as the northern bottlenose whale and Atlantic white-sided dolphin. The hunt is known as the GrindadrĂ¡p. Faroese whaling is regulated by Faroese authorities but not by the IWC, which does not regulate the catching of small cetaceans. Most Faroese consider the hunt an important part of their culture and history, and arguments about the topic raise strong emotions.  Animal-rights groups criticize the hunt as being cruel and unnecessary.  Hunters claim that most journalists lack knowledge of the methods used to capture and kill the whales, or of the hunt's economic significance.

Japan's scientific whaling program is controversial in anti-whaling countries.  Countries opposed to whaling have passed non-binding resolutions in the IWC urging Japan to stop the program.  Japan claims that whale stocks for some species are sufficiently large to sustain commercial hunting and blame filibustering by the anti-whaling side for the continuation of scientific whaling.
About the protests:
The idea of the Anti-Whaling Day protests is the result of an American’s indignation with the relentless massacre of whales. This heinous act is perpetrated by several countries, primarily Japan, who indiscriminately slaughter whales in sanctuaries and in territorial waters of countries such as Australia, New Zealand and around the Antarctic. 
In June this year, in Morocco, during the IWC meeting, Japan, Norway and Iceland lobbied for the lifting of the whaling moratorium, which was denied. Despite the IWC’s decision, Japan continues to massacre whales under the banner of “scientific research," in spite of not having published its “research" in any internationally recognized scientific journal. November 5, 2010 is now the international demonstration day against whaling because it is when the Japanese officially open their whaling season.
Through the creation of a group on Facebook, the initial idea of a small localized protest in Philadelphia turned into a worldwide event, with groups being formed in several countries ranging from the USA to New Zealand, and from Portugal to Japan.  Each country is free to organize its own peaceful protests while always following the format outlined by headquarters located in Philadelphia, PA.
Below are some examples of what is being organized worldwide on Facebook:

“Let it be known that enforcement by the IWC needs to take place in the Southern Ocean as well as the Faeroe Islands.  Whaling for meat, culture, or fun is not acceptable.
Our main objective is to raise awareness about the Japanese Whaling in the Southern Ocean Sanctuary.  The Japanese whaling vessels may use an LRAD on their ships, but we can use our voices and our numbers to tell them what they are doing is WRONG. Support the cause, join the fight, and spread awareness.”
The idea is that each country protests peacefully, yet being free to add its cultural and local “flavors" to their protests, capitalizing on exposure in their local media; TV, newspaper, radio, and other means of communication, with the objective of generating maximum exposure of the message and awareness of what is actually happening in regard to whaling.
Many organizers are choosing to peacefully parade through key areas of their cities, demonstrating in front of Japanese embassies, consulates or official delegations.  In Wellington, New Zealand, demonstrations will parade through the Japanese Embassy and culminate in front of the Parliament building where a petition will be given to a government representative.
So come out and help stop this cruelty and injustice. This is another world-wide event, people, so find a protest in your city and go, go, go!!!

For the Pittsburgh protest, it will be held at the fountain at Point State Park on November 5, 2010 from 4:00pm until 6:30pm. Hope to see you there!

Friday, October 22, 2010

HALLOWEEN'S ALMOST HERE!!!!!

So, every year, me and The Husband buy those fake, semi-foamy, carvable pumpkins. We've done a few different things like carving faces and painting them, but I really wanted to do something awesome this year. We went to the Halloween store last night to look for some last minute costume parts, and I saw one of those carving kits that come with the stencil things. So, I get it home, and we're looking through the stencils and some were cute, but none of them were really awesome. Then the idea struck me...I could do whatever I wanted, through the awesome powers of the internet! So, I did this:


It is my pride and joy. It still needs a little thinning out, but it's pretty awesome, right? Inside, we got this disc light thing that changes colors. I am a huge fan of this sickly green:


Then there was the orange, which I found rather appropriate for Halloween:


Man! Coolest pumpkin, EVER! So pumped! There's also blue, but the picture didn't come out that great. Also, I'm being Gaz for Halloween! The costume's not quite there yet, but there is a preview here. Aaaaand, today is our first Halloween party of the season! Damn, I love Halloween in case you couldn't tell! And this one's gonna be AWESOME!

Happy Halloween, everybody!

Friday, October 15, 2010

Sara Bareilles - Kaleidoscope Heart

Sometimes, I really love when an album gets mixed reviews. Okay, I like it all the time. I hate when an album comes out and everyone's all, "OMG BEST ALBUM OF ALL TIMEZ!!!11!!11one!11". Sometimes it's true, but more often that not, it's not. Not everyone likes the same type of music, and that's the way it's supposed to be.

Despite what appears to be a rather lukewarm reception, I like this album. I also like Sara Bareilles as a whole (um, piano? That's where it's at). Be forewarned, there is no "Love Song" on this album. There is no forcibly radio-friendly pop song, so if that's what you're looking for out of Sara, well...you're not gonna get it. On her junior effort, Kaleidoscope Heart, Bareilles uses complex vocal melodies, classically constructed arrangements, and good, old-fashioned talent to keep this album afloat. It's more of a return to her beginnings, as heard on 2004's Careful Confessions (or the other 12 tracks on Little Voice, for that matter). Bluesy, soulful, and while hindered in sound, it's just as emotionally compelling.

Once again, the "hit single" on this album, "King of Anything", is not even remotely the best song. That would be "Gonna Get Over You". It's the one that catches my ear on every play-through. It's got that same up-tempo beat /slash/ angry girl rock, kick-him-to-the-curb attitude as so many of her other tracks. And while she does do it on a regular basis, it never really gets old. This could be due to the fact that I do, indeed, have ovaries, but there's something that I really just love about angry, independent girls.

While she does recycle some of the same mentalities, she also veers off-course with two pure, acoustic, guitar tracks, "Basket Case" and "Let the Rain". More in a singer-songwritery-vein, they really bring her voice to light. It's really kind of amazing how it sounds without the clamor of her piano. Don't get me wrong, I love that piano, it's just nice to get a little variation every now and again. While I absolutely don't wish the curse of being a one-hit-wonder on her, I really enjoy where Bareilles is going with this album. It's a little more personal and a little less about the record company (aka: the people who pretty much commissioned her to sing "Love Song").

In a sea of auto-tuned female pop stars, it's refreshing to see someone with genuine talent making music. If you're looking for another easily-digestible, radio-ready pop album, this one's not for you. If you're looking for some actual female talent and compelling songs, it is. While I want to give this album an A, I've also heard Careful Confessions, which was just so filled with raw emotion and musically inspiring tracks, I just can't. So, it gets a B.

You can actually here it streaming now on her Myspace and you can check out more news'n'stuff over on her website.

"Gonna Get Over You"

Thursday, October 14, 2010

Less Than Jake - TV/EP

So...Less Than Jake made an entire album out of TV show theme songs, aptly named TV/EP. I'm not sure what to think about this. I mean, this is really what they're doing with their time?

I don't mean to sound critical, but LTJ is definitely on my list of favorite bands of all time. So, what are they doing? Yes, it's fun, it's campy, and they love them some cover songs, but I would have much rather had one or two of these per album on subsequent albums, rather than 16 songs that I've already heard all lumped into one. They have come out with an album of original material since 2008's GNV FLA, and it's sad, dammit.

What I love about Less Then Jake is their absolute dedication to making the best album possible (also, live shows. They're fucking incredible live) and this just seems like a half-assed effort to keep their name on the lips of fans. Well, we're already fans and we'd like some actual music, thanks.

From the standpoint that this is a real album, well, I'm not interested. From the standpoint that this is just something fun that they did to fill the time until a real album comes out, like I said, it's fun and silly and campy. I mean, they do that pirate credit report commercial song, which is rad. And the Malcolm in the Middle song. And the That 70's Show theme song. On the other hand, they do the Scooby Doo and Spongebob Squarepants themes. Like those haven't been done 2384502938502935 times already. 

I am disappointed in Less Than Jake for the first time in my life. This is not okay, you guys. They should have made an original album and made this a free download when you bought in online or something. Or just make a new album, soon, and I'll forgive them. I don't think I could stay mad at them for long. It's like when your adorable new puppy eats a shoe. Yeah, you're pissed, but you know they'll grow out of it. I want to rub Less Than Jake's nose in this album.

So, long story short, beg, borrow, or steal this album. It's not worth your $5.99 (MP3 Download) or $7.99 (album). Actually, you can listen to the whole thing over on their Myspace. For long time fans, it's another notch in the collection and something you can show your friends (the cover art is pretty fun), but not something you'll be listening to repeatedly.

I'm sorry, Less Than Jake. :( I still love you. I hope we can still be friends. C
Still, make sure to check out their site for all the good news.

Friday, October 8, 2010

The Top Five Most Underrated Artists (That You've Possibly Heard Of)

You know, once I thought more about this, they're all one hit wonders, who were surprisingly awesome. The kind of bands that you buy the album because of your insane addiction to that one song that you heard and then couldn't get out of your head. Well, here's my ode to the underdogs...

5. Poe
Remember her? The "Angry Johnny" or "Hey Pretty" chick? Well yeah, she's awesome. And what's even better is that she's supposed to be making music again, which she hasn't done since 2000's Haunted, a semi-autobiographical album and outlet for her grief after her father's death. I listened to that album, went a read her brother, Mark Danielewski's book, House of Leaves, then went back and listened to it again and it was even better. Both of her albums are utterly fantastic in their own ways. Hello was edgier. It was gritty, angry, girl rock and I loved every minute of it. In the decade of her "disappearance", she did occasionally make her voice heard. Collaborations with Conjure One and Fastball, as well as a few solo tracks for soundtracks and what not, leaked their way out. Also, she was the voice of the "single mother" in Repo: A Genetic Opera. There's your weird trivia for the day. Also, she's fucking phenomenal live. Absolutely electric.

4. Joan Osbourne
The "What If God Was One of Us" lady. That song is a mere fluke. It's the only song on any of her albums that even remotely sounds like that and it's sad that that was the one famous song she got. And what's even more amazing is that she's made like, ten albums. I cannot even say that I know all of them, but the ones that I have listened to are amazing. The rest of Relish was phenomenal. She's not that one-hit wonder that you know from the radio, she full of soul and funk and blues. She came out around the same time as a slew of radio friendly female vocalists along the lines of Alanis Morrisette and Sheryl Crow, but never really got all the way there, which is a damn shame. She's opened for The Dead (not the Grateful Kind, but still), Phil Lesh, and The Funk Brothers. The girl's got soul and you certainly don't hear it on the one song that a record label thought would sound good on the radio and sell records to teenage kids. She was Amy Winehouse before Amy Winehouse was Amy Winehouse, except, you know, without the drug addiction and domestic abuse.

3. Gravity Kills
Ohhhh, being an early teen "goth kid". Gravity Kills still has a spot in my heart along with black lipstick and hair dye. Their best known album, and my favorite, their self-titled, is a classic. Their following albums, Manipulated, Perversion, and Superstarved were pretty damn good, too. Gravity Kills was every bit as good as other industrial bands who actually made it big, like KMFDM and Ministry, but they just never seemed to really make it big after their first hit single, "Guilty". Their lack of touring may have had something to do with this, but hey, they were different, dammit. And they were always so...elusive. They didn't tour, they didn't have crazy antics. They made music. And I think they were on "120 Minutes" on MTV once. Maybe. Even now, they don't have a website, they barely have a Wikipedia entry, and good luck with trying to find a decent biography on these guys. Everything is vague insinuations and rumors and assumptions, but that's just Gravity Kills for you.

2. Marcy Playground
Yup, the "Sex and Candy" guys. They've released four entirely different albums. Yes, people still make music after a one hit wonder. While minimalistic in style, they're always entertaining. And they're always looking out for number one...you're not going to see John Wozniak, or any other member of the band for that matter, playing the corporate rock game. Listening to their albums in succession is like getting a bird's eye view of Wozniak's life. You start with childhood on the 1997 self-titled album and work your way to the present with their 2009 release, Leaving Wonderland...In A Fit of Rage. They're awesome, catchy (but not annoyingly so), an genuinely cool dudes. Also, I think John Wozniak looks like Kyle MacLachlin in Blue Velvet and I find that terribly creepy, yet...sexy. I'm a huge Kyle MacLachlin fan in the sexy sense, but that movie's just so damn creepy, I have a hard time admitting that. Okay, well even minus the creepy/sexy factor, they're still an awesome band.

1. Third Eye Blind
I fucking love Third Eye Blind. Okay, so they were like a three hit wonder, but still, there's so much more to them than "Jumper" or "Semi-Charmed Life" (which is a fantastic song by the way, have you ever actually listened to the lyrics!?). Stephen Jenkins, the lyrical mastermind behind the band, is a seriously effed up dude, and I can appreciate that. With so many musicians out there these days that, well, quite frankly suck (Ex: Soulja Boy, he makes a song out of two words, and just repeats them for three minutes.), it's refreshing to see a band with actual lyrics. Even their most recent album, Ursa Major was good. How many bands can you actually say that about? They've managed to make four albums of heartfelt, intense music and no two songs sound the same. While describing a life of decadence, sleaze, and drug addiction, there's somehow a hopeful radiance that comes out of it. Like, "Hey, yeah this happened, but we're still here". They write and play songs that everyone can relate to, but not cheesy pop hits. If you've only ever heard the songs on the radio, go beg, borrow, or steal Out of the Vein. You can thank me later.